THE ISLAMIC ART AND DESIGN ELEMENTS APPLIED IN THE ISLAMIC CITY, A CASE STUDY OF PUTRAJAYA ISLAMIC CITY
DOI:
https://doi.org/10.21837/pm.v21i25.1241Keywords:
Islamic elements, calligraphy, administrative building, PutrajayaAbstract
It is supposed to have three art components giving an Islamic identity: geometric, floral, and Islamic calligraphy. Putrajaya is created to present the Islamic city in Malaysia. The Islamic art components are highly applied to the buildings' motifs and ornamentations. However, the element of calligraphy is missing in the overall features of the Islamic city patterns. Therefore, this study aims to identify the Islamic components in Putrajaya's administrative public buildings. Then, to analyse the Islamic decorative elements and highlight the importance of calligraphy in determining the building's character and identity as one of the main elements that should be applied to Putrajaya's administrative public buildings. This paper analyses a few important buildings in the city of Putrajaya. Most of the required data were collected by doing photographic documentation and on-site studies besides semi-structured interviews with the government. The researcher chose Putrajaya city to be the selected research area, focusing on the public and administrative buildings. The researcher picked a few examples of public buildings for the study. In each building, the researcher recognizes the applied Islamic element that can be found in it. These buildings are the Moroccan pavilion, Putra Mosque, The Ministry of Finance, Masjid Tuanku, Mizan Zainal Abidin, and Complex Islam Putrajaya. The analyses determine several types of elements and components with tangible and intangible qualities that articulate their compositional order. Each type of component carries a special meaning and symbolization of Islamic culture. it is essential to apply calligraphy to represent the complete form of Islamic heritage. Further research is essential to create a guideline to help the designers and architects by providing the Islamic city's best image.
Downloads
References
A. I, I., Shari, Z., & Jaafar, M. F. Z. (2016). Evaluating Natural Ventilation Provisions and Occupants' Ventilation Behavior in Five Terrace Housing Types In Putrajaya, Malaysia [Article]. ArchNet-IJAR, 10(2), 130-152. https://doi.org/10.26687/archnet-ijar.v10i2.868 DOI: https://doi.org/10.26687/archnet-ijar.v10i2.868
Adams, E. (2013). The elements and principles of design: A baseline study. International Journal of Art & Design Education, 32(2), 157-175. DOI: https://doi.org/10.1111/j.1476-8070.2013.01761.x
Baydoun, Z., & Kamarudin, Z. (2017). ‘Ajami As Painted Wooden Wall Paneling For Living Spaces Of Interior Design From Two Master Artisans Perspective.
Blair, S. (2006). Islamic calligraphy. Edinburgh University Press. DOI: https://doi.org/10.1515/9781474464475
Bunnell, T. (2002). Multimedia Utopia? A geographical critique of high‐tech development in Malaysia’s Multimedia Super Corridor. Antipode, 34(2), 265-295. DOI: https://doi.org/10.1111/1467-8330.00238
Coleman, D. Y. (2013). Culture and Arts [Article]. Egypt Country Review, 222-223.
George, A. (2017). The Qurʾan, Calligraphy, and the Early Civilization of Islam. A Companion to Islamic Art and Architecture, 109-129. DOI: https://doi.org/10.1002/9781119069218.ch4
Hamzah, A. R. (2012). Introduction to Islamic Calligraphy. Penerbit UTM Press, Universiti Teknologi Malaysia.
Kamarudin, Z., Baydoun, Z., & Mahidin, N. A. M. N. (2020). Profiling of Islamic Calligraphy Scripts Used
for Architectural Decoration of Masjid in Peninsular Malaysia. PLANNING MALAYSIA, 18(14).
Kamarudin, Z., Kassim, P. S. J., & Abdullah, A. (2020). The Variants And Meanings of Malay Motif Ornamentation in The Urban Context: A Case Study of Putrajaya. PLANNING MALAYSIA, 18(12). DOI: https://doi.org/10.21837/pm.v18i12.756
King, R. (2007). Re-writing the city: Putrajaya as representation. Journal of Urban Design, 12(1), 117-138. DOI: https://doi.org/10.1080/13574800601071337
Morris, K. I., Chan, A., Ooi, M. C., Oozeer, M. Y., Abakr, Y. A., & Morris, K. J. K. (2016). Effect of vegetation and waterbody on the garden city concept: an evaluation study using a newly developed city, Putrajaya, Malaysia. Computers, Environment and Urban Systems, 58, 39-51. DOI: https://doi.org/10.1016/j.compenvurbsys.2016.03.005
Moser, S. (2010). Putrajaya: Malaysia’s new federal administrative capital. Cities, 27(4), 285-297. DOI: https://doi.org/10.1016/j.cities.2009.11.002
Moser, S. (2013). New cities in the Muslim world: the cultural politics of planning an ‘Islamic’city. In Religion and Place (pp. 39-55). Springer. DOI: https://doi.org/10.1007/978-94-007-4685-5_3
Saberi, A., Motamedi, S., Shamshirband, S., Kausel, C. L., Petković, D., Endut, E., . . . Roy, C. (2016). Evaluating the legibility of decorative arabic scripts for Sultan Alauddin mosque using an enhanced soft-computing hybrid algorithm. Computers in Human Behavior, 55, 127-144. DOI: https://doi.org/10.1016/j.chb.2015.08.055
Yahaya, A., & Mohd, A. (2013). Products Attributes as Attraction and as Pull Factor towards Sustaining Visitation to Putrajaya Botanical Garden. Pertanika Journal of Social Sciences & Humanities, 21(3).
Yahya, A., & Embi, M. R. B. (2013). Evolution of Islamic geometric patterns. Frontiers of Architectural Research, 2(2), 243-251. https://doi.org/http://dx.doi.org/10.1016/j.foar.2013.03.002 DOI: https://doi.org/10.1016/j.foar.2013.03.002
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2023 Ziad Baydoun, Nawal Abdulrahman Alghamdi, Zumahiran Kamarudin
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 Unported License.
Copyright & Creative Commons Licence
eISSN: 0128-0945 © Year. The Authors. Published for Malaysia Institute of Planners. This is an open-access article under the CC BY-NC-ND license.
The authors hold the copyright without restrictions and also retain publishing rights without restrictions.